Smultronstället aka Wild Strawberries(1957)

Movie: Smultronstället
Genre: Drama
Language: Swedish
Director: Ingmar Bergman
Starring: Victor Sjöström, Bibi Andersson, Ingrid Thulin
IMDB Rating: 8.3/10 (Top 250: #130 )
Rotten Tomatoes Ratings: 8.8/10 (Tomatometer 94%)
Runtime: 91 mins

Ever someone tried to articulate the existential dilemma, and the quest to the unknown, from a lens perspective, Bergman it was! After watching the intense last scene of 'The seventh seal', it was inescapable to leave out on a more contemporary Bergman interpretation and hence 'The wild strawberries' had to happen.

The best thing about reviewing such movie is that one is not afraid of spilling out parts of plot that could spoil the movie for those who haven't seen them. So here is the regular dose of the plot: The movie revolves around an old Professor Isak Borg, a successful scholar who has insulated himself from all relationships and the human threads around. He decides to get isolated from them all and live with a housekeeper at a far away place. And when he has to travel to receive an honorary award after 50 years of medical practice, shaken by a demented dream he decided to take the road way where he introspects, looks into his past, his sulking and hitchhikes some interesting lads.


It would be an understatement to say that this is a wonderful piece of art. Said over and over again by a lot people, Wild Strawberries is an amazing display of the existential confusions and the traumatic fistfights that shakes the inner self of a person. How many times it happens that suddenly the philosophical part in you suddenly gets going and the flurry of questions make you feel devoid of reason for existence. Though based for an old professor who has seen it all, a lot of us will find some connection with the wild strawberries theme of dissociation and dispassion.

Traditionally, I read about a movie after watching it, what people feel about it, and specially if a movie is consider to be an out-of-the-world creation, it's always great to see different perspectives of people around it. A movie like wild strawberries creates only a dual-opinion set, there won't be a lot of people who will feel just 'ok' about it. Either you find firm lovers or apparently sleepers who are unable to stay up with the timely and intentional speed of the movie.

The initial 10 minutes of the movie launch a wonderful beginning, specially the dreadful dream sequence, something you would expect in a Bergman scene. Bergman conveniently uses death as a strong portraying tool (not as extravagantly as he did in The seventh seal where death is the protagonist itself) and switches swiftly between the two paradigms.


Talking about the characters now:

Victor Sjöström: The 'director' plays Dr. Isak Borg, the protagonist. Certainly a 10 on 10 performance. A straight face to life, never played so beautifully ever. His last movie as an actor and to sign off in a manner like this, commendable!

Ingrid Thulin: Plays a charming lady, smiling but upset about the hereditary loneliness of his husband and the rigid avoidance of her father in law. Pretty amazing work.

Bibi Andersson: Another Bergman regular, who is seen in dual role, both named Sara. Chirpy and tense. Bergman does have these bipolar characters in his movies, something peculiar about his movies.

A movie with graet performances and a very deserving classic tag, but while I continue to read about it more and more, it makes the feeling even stronger that this movie has an autobiographical essence of Bergman, this is certainly a strong reason to think on this story line and making something so deep and engulfing.

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Do Aankhen Barah Haath

Movie: Do Aankhen Barah Haath
Genre: Musical , Drama
Language: Hindi
Director: V Shantaram
Starring: V.Shantaram, Sandhya

I would not term the movie as a cult classic but Do Aankhen Barah Haath is a great movie. Directed by legendary director V. Shantaram who has given bollywood some of the great movies like Navrang, Dr. Kotnis Ki Amar Kahani , Jhanak Jhanak Payal Baje and many more. He was awarded the Indian film industry's highest award, the Dadasaheb Phalke Award, in 1985 and the Padma Vibhushan in 1992.

Adinath ( V Shantaraam himself) undertakes an experiment of rehabilitating six most dangerous criminals from his jail where he is a jailor. He takes them to a barren area and their task is to make the land productive again. Idea is that ploughing will give them a feeling of ownership, sense of community and pride which will help them overcome their criminal nature. Movie is an old version of Munna Bhai MBBS in its core sense i.e forgive others, dont raise your temper, be calm and patient, others will realize their mistake soon. Champa ( Shataraam's 3rd wife) also plays a beautiful role in the movie.


Champa emerges like a mirage in a desert , playing on a ektara , balancing a big basket having dolls and stuffed toys, on her head. Tied to her foot is a wheeled toy drum which gives music to her song and at times get stuck in between rocks and dry grass. Most of the times she maintains a demeanor which warns other to think twice before approaching her for any other purpose other then buying toys.


All the 6 prisoners do awesome acting, humor is used to carry forward the movie and its not mainly through dialogues but through acting and behavior. Seriousness of the prisoners some times depics innocense, many a times they are like kids of the Adinath behaving in the way a kid behaves in front of his father.

Music

ए मालिक तेरे बन्दे हम
एसे हो हमारे करम नेकी पर चले ,
और बड़ी से टले ,
तांकी हसते हुए निकले दम
ए मालिक तेरे बन्दे हम

We have recited this beautiful song endless times as prayer in our schools. This was sung by nightingale of India Lata Mangeshkar in the movie Do Aankhen Barah Haath

Movie ends melodramatically and one is unable to digest. But positives far outweigh the negatives in this movie.



Watch it for:

• V Shantaram
• Good Standard of Acting of all the characters
• To see how Gandhian philosophy was used in bollywood in 1950's
• Songs sung by Lata Ji and Manna Dey
• To see how prisoners were reformed.
• Witty and Playful approach to visuals in film credit sequences

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Rashomon (1950)

Movie: Rashomon
Genre: Drama, Mystery
Director: Akira Kurosawa
Language: Japanese
Duration : 88 minutes
Tagline: Who is the culprit .. the husband , the wife or the bandit?
IMDB Rank : 71


The film that introduced Kurosawa and Japanese cinema to rest of the world. As most of the cult directors have done bringing in films much before the time Rashomon also was before time, it gained attention in Japan only after it got rave reviews in western world . Rashomon was made by a reluctant Japanese studio and studio head even got his name removed from the credits. It won the Best Foreign Film award at the Oscars, it broke the box office record for a subtitled film in USA. Rashomon had first in everything, nobody has seen anything like that before. In fact I would say we have not many films of 3 self confessed killers and no final decision at all.

There is a woman who is raped and her husband killed. There are 4 viewpoints being told in a flashback by 4 eye witnesses : women, a bandit, husband ( telling through a medium) and a wood cutter. All the stories are mutually contradictory and its upto the viewer to determine who is the killer. Which story is true and what actually happened on that day ?? Its all upto the viewer.

Film opens with a heavy raining scene with two men sitting under a shelter. As I read at various places and two I have seen, Kurosawa has a knack of using the weather elements in his movies heavy rain in Rashomon, fighting scene in Seven Samurai , the intense heat in Stray Dog, the cold wind in Yojimbo, the snow in Ikiru, and the fog in Throne of Blood. These are all distinctive Akira's style.

Finding the killer is not the main goal, but its is to understand and ponder over the inability of humans to be truthful. It also focuses on relative subjectivity/objectivity of truth.

It prompts you to think on the below two questions :

Things appear to be true only at some times and not at others.
Things appear to be true only for some people but not for others.

Same story is shown 4 times from different view points and every time you feel more gripped to the movie and there is no single moment of dullness. In moments the camera angle will change forcing the users to reconsider again the version the story which they believed. And we believe every story what is being told because we are actually seeing it happen, and we all have learned believing that eyes never tell lie, but in reality we should also suspect what we have seen.



Each of the actor is superb Bandit is captivating and his laugh will unsettle you many times. Husband is shown as a weak character but its the wife who is the soul of the movie, in one story she is shown as submissive as a helpless victim in one she is seductress. I like the scene when the bandit ask her to come with him and she says she cant decide and tore the rope of husband indicating that two men need to decide. I will not delve more into the stories as it will take away the suspense, one watch is not enough for this awesome movie. I will have to watch is many times to fully understand the correlation between human and truth.

Rashomon is also famous for its awesome cinematography. Shadow of leaves and sunlight coming in between takes you really into the forest. Sequence of wood cutter walking through the forest is taken from various angles of camera. At times camera is on the face, at times upwards in the sky at times on the trees at times on the shadow. All these with soothing music make the normal walking in the forest engaging.

Viewer may not realize just after watching that he has watched a great movie. But after hours you will realize it is a masterpiece and you need to watch it again. Its a film to respect and admire then to enjoy. It will be one of the rewarding 88 minutes to cinema you have watched. If 50's was golden period of Indian Cinema I think it also holds true for Japanese Cinema also.

Movie to watch before you die !!!

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Bridge on the River Kwai

Director:David Lean
Genre: War
Cast: Alec Guinness, William Holden
Language: English
IMDB Rank- 68



Indians associate war movies more with the mythological warfare as in the battle of Mahabharata in which arrows with mystical powers flow from one side to other. There are also horses and elephants and a row of walking soldiers taking orders from the senapati. Only in the past few decades we have moved to era of Border type movies having tanks and gun fires.Even in Hollywood most of the war movies are full of gun fires , battle tanks , strategies to bring down the enemy. But this movie Bridge on the River Kwai was different from all other and had very few cliches which we normally attach to a war movie.

The Bridge on the River Kwai is one of five films on this site that cover the tumultuous years of the Second World War. The others are Patton , The Great Escape, Saving Private Ryan and Schindler's List. They are part of the larger History in Film web site that supports teaching history using popular films

Simple story; Col Nicholson wants to maintain the dignity of British army by making a great bridge and other party wants to destroy the bridge. Whole movie is around this magnificent gripping suspenseful story with beautiful picturesque scenic backgrounds. There are three main characters in the movie Colonel Nicholson, Colonel Saito and Shears.

Even though the film is a classic and is loved by many film fans but it caused considerable stress to real life Colonel Nicholson and river Kwai veterans as the incidents are grossly misrepresented. Real Colonel endured regular beatings when he complained of ill-treatment of prisoners, but as a skilled negotiator he was able to win many concessions from the Japanese by convincing them that this would speed the completion of the work. Behind their backs, however, he did everything possible to delay and sabotage the construction without endangering his men, and also helped organize a daring escape, at considerable cost to himself.

Colonel Nicholson
He carried himself through the whole film beautifully. He was loved by all his regiment men, he instilled faith in his team and through his negotiation skills was able to get the best for his team. He also made Saito men work in same environment and for the same time.

Colonel Nicholson: Now, there's another important decision that can't be postponed. As most of the British soldiers will be working on the bridge, only a small number will be available for railway work. So, I must ask you, Colonel Saito, to lend us some of your own men to reinforce the railway gang, so that the final stretch of track can be completed as quickly as possible.
Colonel Saito: I have already given the order.
Colonel Nicholson: We must fix the daily work quota for your men. At first I thought of setting it at a yard and a half, so as not to overtire them, but don't you think it would be best if we make it the same as the British soldiers? That would also create a healthy competitive spirit.
Colonel Saito: I have already given the order.

Colonel Saito
He is different, you will not find such a lenient colonel in a prisoners camp. He at times is crazy at Nicholson for accepting the punishment and at times in awe of the British colonel. You will hate him for what he is doing.


Cmdr. Shears:

I'd say the odds against a successful escape are about 100 to one. But may I add another word, Colonel? The odds against survival in this camp are even worse.

He manages to escape with sheer grit, luck and determination but later on the return to the bridge again is his only way to escape the bridge.

He has some fantastic dialogues like the one:

You make me sick with your heroics! There's a stench of death about you. You carry it in your pack like the plague. Explosives and L-pills - they go well together, don't they? And with you it's just one thing or the other: destroy a bridge or destroy yourself. This is just a game, this war! You and Colonel Nicholson, you're two of a kind, crazy with courage. For what? How to die like a gentleman... how to die by the rules - when the only important thing is how to live like a human being.

I enjoyed the lovely whistling tune known as Colonel Bogey March sung by the marching soldiers . Listen to it below:

Its not a movie review of a great movie. I just want to remind you of the great movie which you all must watch. What are you thoughts on this great movie??

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Mr and Mrs 55 (1955)

Director: Guru Dutt
Writer: Abrar Alvi
Starring: Madhubala, Guru Dutt, Johnny Walker, Lalita Pawar, Tun Tun
Music: O P Nayyar


Mr and Mrs 55 is one of the best comedy movies directed by Guru Dutt. Aar Paar and Chaudhavi ka Chand were light hearted , Kagaz Ke Phool was heavy and watchers felt themselves in a melancholic state. Mr and Mrs 55 on the other hand is a satirical comedy which is leaving a social message also. Message was against the increasing negative influence of western culture and decreasing traditional Indian values at that time. In fact the poster of the movie also conveys about the movie. It is divided into two parts in the first one hero is tying up madhu bala's shoe, depicting the western influence through the western attire. In the second part madhu bala in saree is touching guru dutt's feet. I am not able to decipher why the movie is titled as Mr and Mrs 55, one of the reason may be, it was released in 1955.

On one side there is Sita Devi (Lalita Pawar, aunt of Madhu Bala) who is increasingly feminist and believes in superiority of women over men. She even considers that women should not marry and become dependent on men. In fact they should remain free and single for ever. But Anita's dad has some other plans. He had left a will which is opened on 20th birthday of Anita and it decrees that Anita has to marry in order to inherit property worth 70 lakhs. If she doesn't marry then the property will be transferred to a orphanage.

Dialogue during the time will was read:

मेरी अच्छी बहींन में जानता हूँ की तुम मर्दों को कितना पसंद करती हो इसीलिए मुझे डर है की मेरे कूच करने के बाद और कमसे से कम तुम्हारे कूच करने तक तुम मेरी बेटी अनीता को कुवारा ही रखेगी इसीलिए ऐसे चटपटी वसीयत रख कर जा रहा हूँ
तुम्हारा भाई

Anita is excited about this legal binding and ask her friend Rajesh a tennis national champion for marriage. On the other hand Sita Devi is looking for a husband for Anita. Preetam (Guru Dutt) a out of job cartoonist who is unable to make both ends meets becomes the perfect target husband for Anita. Preetam is having a great friend in Johny Walker who is a photographer in a newspaper. He is a real friend in need and many times GD drops at wrong places at wrong time (when johny walker is trying to pataofy a girl) to take help from him. GD and Johny many times do a emotional atyachar on Johny mother (Tun Tun auntie) so that she give Preetam food and shelter and not ask for rent and money.



Preetam is hired by Sita Devi as a husband for Anita on 3 conditions. Preetam agrees to three condtions of not to see Anita after marriage, not to tell anyone about this marriage and give divorce when asked for. Preetam and Anita have become good friends, but that friendship is lost when Anita comes to know that Preetam is the hired husband for her.



Things turn bad when Preetam makes a cartoon of Sita Devi incarnated as chariot puller with Anita and Preetam as horses. She is fumed and on hearing ji haan ji haan to most of his questions she says that she will get the divorce procedure started. Here comes a true friend Johny Walker who gives Preetam idea to taking Madhu Bala away to his village. Anita is influenced by his sister inlaw and their interaction portrays to pros and cons of the increasing westernization. They had some lovely dialogues and Anita is slowly coming out of the shackles and learnings of her aunt. However on the other side Anita had called her aunt to rescue her. Preetam feeling that she doesn't love her fabricates evidence against himself with the help of Johny. Will they meet and live happily thereafter .............


I loved Madhu Bala, her cute looking innocent face really lifted the movies many notches up. She is smiling and chirpy and you fall in for the ingenuous face, her dialogues are natural and spontaneous. Is there any other movie of Guru Dutt and Madhu Bala together? They had a wonderful chemistry on screen.

One innocent looking incident takes place when Preetam and Anita chat in the park:
Preetam : अपने को तो रोटी ही नहीं मिलती
Anita : रोटी नहीं मिलती तो अप्प बिस्कुइत (biscuit) क्यों नहीं खा लेते
Preetam : अरे हाँ यह तो मैंने सोचा ही नहीं आप बड़ी होशियार मालूम होती है

Apart from good comedy, awesome acting by all the characters and brilliant direction by Guru Dutt which included use of shadows and closeups, movie had an outstanding music by OP Nayyar. All the songs are sung by Geeta Dutt and Mohd Rafi.

Songs::
1. Dil Par Hua Aisa Jadoo
2. Thandi Hawa Kaali Ghata
3. Jaane Kahaan Mera
4. Chal Diye Banda Nawaaz
5. Meri Duniya Lut Rahi Thi
6. Preetam Aan Milo

I liked qawwali medi duniya loot rahi thi, though its not like yeh duniya agar mil bhi jaaye to kya hai but still it conveys the message.

मेरी दुनिया लुट रही थी , और मैं खामोश था
तुकडे तुकडे दिल के चुनता , किस को इतना होश था

आँख में आंसू न थे , और जल रहा था दिल जिगर
रो रही थी हसरतें चुप-चाप था मैं बेखबर
कैसे आता होश में जो पहले ही बेहोश था
तुकडे तुकडे दिल के चुनता , किस को इतना होश था

कारवां दिल का लूटा बैठा हूँ , मंजिल के करीब
मैं ने खुद कश्ती डुबो दी , जा के साहिल के करीब
ये ज़मीं चुप -चाप थी, और आसमान खामोश था
तुकडे तुकडे दिल के चुनता , किस को इतना होश था

Must Watch for::

• Madhu Bala's sweet and comic role. It was really sad for bollywood industry that we lost such a great actor at an early age. She died at the young age of 36.
  
• Delightful and Social comedy which will keep the viewers glued to the screen.
  
• Another gem of a classic from Guru Dutt
  
• Johny Walker and Guru Dutt comic chemistry which i found to be best of the movies I have reviewed.
  
• Brilliant Music by OP Nayaar , melodious songs sung by Geeta Dutt and Rafi sahabh, awesome lyrics of Majrooh Sultanpuri.
  
• To know how society was getting influenced from western world.
• After 9 years of movie released we lost Guru Dutt and later in 1969 we lost Madhu Bala at a young age of 36.
  

Duttilicious Movie indeed :)

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Kagaz Ke Phool

This is my small attempt in writing about a great movie.

I am into watching classics and right now I am enjoying the Guru Dutt's 6 classic movie pack. After writing my two words for Chaudhavin ka Chand, I am trying to write on another classic 'Kagaz Ke Phool'.

This 148 minute movie directed by Guru Dutt was a super flop at the box office at that time. As i read in wikipedia Dr Rajendra Prasad ( then President of India) walked out of the cinema hall offended. There were cases of stone pelting at few cinema halls also. These incidents demoralized Guru Dutt to a very large extent but he came back with a box office hit movie 'Chaudhavin ka Chand' and 'Sahib Bibi aur Ghulam' after Kagaz ke Phool. He never directed any movie after diaster of Kagaz ke Phool.It was only in late 70's and 80's this movie was given a status of cult classics in world cinema.

Plot::

Suresh Sinha ( Guru Dutt) is a big director in bollywood now after giving a Hit movie Zordar. He is married to Geeta and they have a daughter named Pramilla. Getta and Suresh are living separately for the past 9 years as Geeta and her family doesn't approve of
bollywood line and think it as a demeaning to their status in society. Suresh goes to meet his daughter at her boarding where he is not allowed to met her as per orders from her mom. Suresh goes and confronts with his in-laws and nothing can be decided and they challenge him to go to court if he wants. He meets Shanti ( Wahida Rehman) and takes her as heroine in his next mega film. He start promoting her career and their relationship grows. Movie takes a turn when Pramilla meets Shanti and states to her that she is coming between her mother and father.
Shanti decides to leave the bollywood even though she had signed a seven year contract to do movies. This is second loss of Suresh Sinha, first one being loss of Geeta his wife. Pramilla grandfather's files a case against Suresh regarding custody of Pramilla. This is another loss of Guru Dutt and this breaks him, shatters him and devastates him. He starts drinking and looses interests in movie making. Will he come back will he get what he has lost ?...........Watch the movie !!!!!

Analysis::

Normally in movies we see action,emotion, drama, comedy etc but in this movie you will find pride, hope, overconfidence, pessimism, silent love, realism.
One may feel a deep sense of loss and may feel like leaving the movie in between but we should go beyond the loss factor and look for brilliance. Perhaps the movie came much before time as in 50's and even now we go to watch movie to enjoy and feel good not morose. This movie is all about loss and playing of Mhd Rafi's song ' dekhi jamane ki yaari' in the background heightens the sense of loss.

Are Dekhi Zamaane Ki Yaari
Matalab Ki Duniya Hai Saari
Bichhade Sabhee, Bichhade Sabhi Baari Baari
Kya le ke milen ab duniya se, Aansu ke siva kuch paas nahi
Ya phul hi phul the daaman men, Ya kaanton ki bhi aas nahi
Matalab Ki Duniya Hai Saari
Bichhade Sabhee, Bichhade Sabhi Baari Baari

Heavy movie is made lighter by Johny Walker, Though the role is not as comic as in Chaudvin Ka Chand which I wrote about earlier, but still he lightens up the mood by coming up at regular intervals.


Love between Shanti and Suresh is very beautifully depicted. Its silent and they convey their feelings for each other by regularly saying the dialogue "Hamne hamesha ek doosre ko samjha hai" This is not a dialogue but its conveying more depth here as compared to saying 'mein tumse pyar karta hoon'. Shanti is looking stunning just like in all other of her movies. She is a great actor and we are lucky to be seeing her in movies in 2009 also.

Suresh looses everything his daughter, his lover and he is mentally devastated now and has no interest in movies. His movies flops and this moment is captured magnificently. First (when Shanti is launched, her first movie)we will see the seen of a cinema hall jam packed and people applauding Suresh for his direction and in second half when he has lost all interest we will see the same cinema hall but now the feelings are different with Suresh crying, people rebuking and shouting him for making such a dud movie. This conveys the point which bollywood is all about 'every one salutes a rising sun.
Kagaz Ke Phool is persistent in its narration of Guru Dutt's tragedies and his acceptance of the same. One will wish that his tragedies may end and he should come back to his glory old days. And the climatic scenes of Guru Dutt will heighten the pain and sufferings.

Songs haunts me and you feel pained. S.D Burman Music and Kaifi Azmi's touching/haunting lyrics will follow you even after you have finished watching the movie. I had not listened many songs of Geeta Dutt but now i know why she is a legendary singer.

Finally, my 5 nutrients from the multigrain tetra pack called kagaz ke phool:

1. A must watch for true movie fan.
2. Watch it for it being released in the golden era of bollywood.
3. Watch it for it being a highly intensive, thought provoking film.
4. Though it was a commercial flop at that time but now its a cult classic.
5. If the movie had been an hit it might have changed the course of bollywood.

Kagaz Ke Phool Guru Dutt Geeta Dutt Wahida Rehman Bollywood Johny Walker Rafi

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Chaudhvin Ka Chand

Now I am starting the Guru Dutt festival. I am able to finally get hold of moser baer classic collection of guru dutt's 6 movies. We have watched so many bollywood and hollywood and other lauguages movies but we have not gone deep into golden age of bollywood i.e era of 50's and 60's. 

So here is the first one Chaudhavin ka Chand. Movie was super duper hit at that time. It came at a right time after Kagaz Ke Phool tanked at the box office and Guru Dutt lost some 17 lakhs in that movie. 17 lakhs is a gigantic amount in 60's.  It is one of the few films which is totally muslim centric i.e portraying the muslim culture.
Now a brief about the movie.  Its based in lucknow where Aslam (Guru Dutt), Pyare Nawab (Rehman), and Mirza Shaiza (Johnny Walker) are the best of friends. Pyare Nawab falls in deep love with one girl who he saws in market. She saw the same girl Jameela (Waheeda Rehman) during his sister's birthday bash and asks her maid Tun Tun to enquire about her. Tun Tun mistakenly thinks other girl to be Jameela and hence the misunderstanding starts.

Pyare's mother ask his son to marry a girl but since Pyare wants to marry Jameela, he asks his childhood friend Guru Dutt to marry her not knowing that she is the same girl Jameela. Aslam and Jameela get married and are enjoying the early days of their married life, but soon Aslam discovers that she is the same girl Pyare wants to get married to. Aslam is caught between his deep love for his wife and love to his friend Pyare to whom he is very much indebted as he has helped him since childhood.  You have to watch the movie to see how the love triangle will end ...

This is the movie which started the depiction of love triangles in bollywood movies. There after we have seen many movies based on love triangles whose base framework is same as in this movie. Wahida Rehman is looking stunning specially in the title song. I have watched that song 15-20 times now.  Song got the credit it deserved both lyricist Shakeel Badayuni and playback singer Mhd Rafi won the filmfare award for the song.

There are some loop holes in the script also the big one is communication between best friend. Even if Aslam was not able to communicate to Pyare he should have talked to Mirza (Liver).  I may have found it a loop hole as I have watched so many love traingles :). 

But if i go into the 60's I would surely have loved this movie.  

Watch this movie for seeing the love of Guru Dutt and Wahida Rehman. Some rustic comedy scenes by Johny Walker are great to watch . One can also watch it to understand and see how life was in 60's . See the movie for its treat to ear music. 

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